Setting a Bad Example

This right here is an example of terrible graphic design. There is even a blog about the above invitation claiming all the rules of design it breaks. First and most noticeably, there are way too many variations of type on the page. The words "Big, Bold, and Booming" do not have fonts that correctly represent each feeling of the word. Also, the picture in the background does not make me think Hollywood event, now that I look at the invite I'm not sure what event this is? The copy needs to be simplified and should be able to convey the important information such as who what and where, in a quick read. Finally I despise the color choice used. What prompted the designer pick three of the most basic colors to work with? I cannot believe the person wasted ink and paper on this garbage. I found this bad example on http://writemarketdesign.blogspot.com/2011/08/marketing-mishaps-using-too-many-fonts.html.

Birds in a Cage

I find this illustration very powerful and motivating. It keeps the viewer wondering "why?". The viewers eye is drawn first to the naked woman at the bottom of the page, then to the dress form then the hanger which is hanging on a bird's eye that is a cloud? The whole thing is very mysterious to me and I am still trying to make sense of it as I blog about it now. However, every time I glance back at it the idea of the birds being in a dress form which is supposed to represent a cage yet has an opening at the bottom is strangely beautiful to me. Rafal Olbinski's above illustration is depicted in the advertising section of the book 54th Annual of American Illustration.

Alaskan Totem Menu

The above is a vintage menu design made for Pacific Coast Steamship Company in 1911. The theme is supposed to connect to Alaska therefore the menu shape is a totem pole. The concept of the piece is interesting, at the bottom of the menu (on the inside) it says to fold on crease and stand upright. This makes it usefully symmetrical (vertically) as well as a decorative element on a table. What I also like about the menu is its indentations from the press it was printed on, better shown in the right image. Since there is a specific date on the bottom-"Friday, August 4th, 1911" it is safe to assume this menu was used once then thrown away. Which is a shame to me because it is such a beautiful design for its time and in color meaning it was most likely a pretty penny to print. I found this example in Menu Design In America by Jim Heimann.

Parco Spring

This is a design composed by a Japanese artist that I do not know much about quite honestly. However, I love the colors and images used within the poster. If I could I would hang this as a poster in my room (notice the peacock at the lower right hand corner). To me, the environment portrayed looks like something of an enchanted forest, because what normal one has flamingos climbing tree branches. The color pallette the artist used really sparked my attention, the teal blue, forest green, and light pink are not your average colors. Since my Design Principles class I have started to notice and appreciate how artists place items ever so carefully in a visual piece to make it appear random, even though he/she carefully picked each animal or foliage. In this case, I believe this principle applies. I found this piece in the book New Girly Graphics which is an archive of mostly Japanese design and in a different language. Fortunately, aesthetics can be adored without all the descriptions.

Tribal Book Cover

This is the book cover of 54th Annual of American Illustration, designed by Marcos Chin. For his design called Textile he won a gold medal. He was inspired by photos he saw in a book called Natural Fashion: Tribal Decoration from Africa by Hans Silvester. What I like about the book cover is the various designs of patterns used for the neck piece. Believe it or not this piece was hand crafted. It is a design that fits appropriately for the kind of book this is about which is illustration art.

Istanbul Culture

The above is a design by Kari Piippo as a poster project for International Istanbul Graphic Design Week. I chose this piece to blog about because I just vacationed to Turkey a couple of weeks ago. Upon my visit I stayed in Istanbul for a few days as well. I can say this poster design, entitled "Istanbul as felt by...", and Istanbul is perfectly represented here. The country is known for its wonderful textiles and textures of fabric are very rich. Also, Istanbul is the only city which is located on two different continents, being Asia and Europe. The pattern within the silhouetted man is a perfect match to the fabric I saw at the bazaar. Also, the deep blue color is represented everywhere in Istanbul, it is also the color of the evil eye. Which is a good luck charm everyone hangs in their rearview mirror. I found this example in the book Nordic Graphic Designers.

Maze Code

The above is a firm's foldout card celebrating Christmas and New 

Year's, designed by Nikolaus Schmidt Design in 2011.  The foldout design is a less traditional approach in comparison to a standard card. At first glance I thought what a great idea to use a maze as a design element! Not until I read further into the description article did I realize it spelled out the greeting "merry christmas and a happy new year". The idea of the coded message is unconventional and not your ordinary holiday card. In fact, white on a black page in this way looks futuristic. Nonetheless, in aesthetics and as inspiration the foldout succeeds. I found the design in the book Design/Paper.